Get Full Essay Get access to this section to get all help you need with your essay and educational issues. But the pursuit of a dream based on false illusions will ultimately lead to tragedy. In both works, the main character is in pursuit of a dream for success that ultimately causes his demise. The American Dream is the idea that through hard work, courage, and determination one can achieve prosperity.
He is counting on Biff to use his athletic prowess to get into a good college. Willy dreams of being not merely liked. Willy instructs his sons that being well-liked is the route to success, but his definition of success is not merely conventional.
He wants what capitalism, as it cleanly cuts the worker off from the product of his labor, and finally from himself, cannot provide. He wants to be not just liked but well-liked; he wants at the same time to be successful, and to retain his identity as Willy Loman.
That is not the cheap desire of a shallow salesman. The essence of capitalism, of a transactional society, is its chameleonlike nature. A consumerist society based on selling refracts desire into countless illusory avenues of fulfillment.
Happy Loman. Happy shares none of the poetry that erupts from Biff and that is buried in Willy—he is the stunted incarnation of Willy’s worst traits and the embodiment of the lie of the happy American Dream. The seeds embody Willy’s ambition to be both a good father and a “well-liked” salesman. Willy’s nocturnal futile attempt to grow vegetables clearly demonstrates his failure in achieving the American Dream. pfmlures.com M/lily Loan is the embodiment of the broken American dream" Death of a Salesman is centered around one man trying to reach the Armenian dream and taking his family along tort the ride. The result is Wily Loan destroying himself trying to seek material happiness and achieve his "American Dream", rather than live it. It made his wife Linda live sad and pathetic days.
Therein perhaps lies the answer to the age-old question, beloved of deadline-harassed newspaper editors looking to fill space: That is how a woman who is expecting a salesman to give her some of his samples—perhaps as part of a sexual exchange—would specify just what, out of his inventory, she needs.
But if they are, it is only in that hotel room, for that woman, in that particular moment. Willy is the market itself.
What Willy sells is immaterial because the buyer sees everything in the shape of her own desire. Of course he counts on being remembered, and even loved. He traffics in the precious stock of emotions and attachment.
Willy the human being remains solid, even as the transaction melts into air. The only thing you got in this world is what you can sell. There was respect, and comradeship, and gratitude in it. Far from the rugged individualism so beloved of American capitalism, and typified by his colonialist brother, Ben, Willy sees his vocation as salesman in the context of solidarity.
The love and comradeship he seeks are hardly the hallmarks of American laissez-faire. He is talking about kindness. He lacks a murderous ego; he does not possess the killer instinct. He even pawns a sentimentally precious and economically valuable gift from Ben to pay for a correspondence course for Biff.
He does so out of guilt, perhaps.
But ruthlessly successful people are not susceptible to guilt. Willy is a powerful expression of the grotesque impotence and inferior status of American kindness. It turns his most human impulses into nascent acts of homicide or suicide.
His natural and legitimate desire that his sons succeed becomes his cheap encouragement to them to cheat and steal. His touching reminder to Howard that he, Willy, gave him his name only proves his softness and ineffectuality and leads to his dismissal. His humanity has the effect of making his fate inhuman.
Most of all, his humanness makes him turn toward the past in an effort to recapture the respect, the gratitude, the comradeship, the love that have fled from his life. Instead, he lavishes his attention on bygone attachments and events: Willy has spent his life paying attention to the human element in his business situation.
The long extinction of that element in his business and personal life is what spells his doom in the form of being fatally distracted by emotions lodged in the fugitive past.
Willy loses control of his destiny just as he begins to lose control of that car—both a death-machine and the very symbol of American power and mobility. But it is not just Willy whose attentiveness is derailed by useless feelings and desires.
Everyone in the play is distracted by their cravings, obsessions or self-obsession.A TEACHER’S GUIDE TO THE PENGUIN CLASSICS EDITION OF Bernard, the childhood neighbor and friend of the Loman brothers Uncle Ben, Willy’s older brother, ideal man, and embodiment of the American Dream A Teacher’s Guide to Death of a Salesman by Arthur Miller 5.
Happy shares none of the poetry that erupts from Biff and that is buried in Willy—he is the stunted incarnation of Willy’s worst traits and the embodiment of the lie of the happy American Dream. As such, Happy is a difficult character with whom to empathize. Antony Sher stars as Willy Loman, the tragic embodiment of the post-war boom in America where if you aren’t selling, you aren’t winning.
And modern America is no place for losers. The contrasts that Antony Sher brings out in his performance are wonderful – preserving the remnants of this tough man, full of bravado and ambition, whilst allowing the darkness to increasingly show itself in Willy’s behaviour.
The young Biff, whom Willy considers the embodiment of promise, drops Willy and Willy’s zealous ambitions for him when he finds out about Willy’s adultery.
Biff’s ongoing inability to succeed in business furthers his estrangement from Willy. For as Billy Mack makes clear, in his brilliant and heartbreaking central performance, the tragedy of Miller’s hero Willy Loman is that he believes in the American Dream of success through hard.
The seeds embody Willy’s ambition to be both a good father and a “well-liked” salesman.
|Death of a Salesman Act 1||When a play is beautifully written, well directed, and passionately performed, the ethnic, religious, cultural or racial characteristics of the players melt away, allowing the truth of the story to shine through.|
|The character of Ben Loman in Death of a Salesman from LitCharts | The creators of SparkNotes||By shimesMay 17,|
|The Death of Salesman Essay – Free Papers and Essays Examples||Yet, the dream that destroys Wily is not one that he has chosen, but one is forced upon him by society. Wily Loan spends the expanse of the play trying to achieve wealth, fame, and the like of others.|
|20 July - 25 September, 2010||Plot of Death of Salesman by Arthur Miller: Willy Loman though had a very good skill in carpentry adopts a job as a salesman so as to fulfill his American dream.|
Willy’s nocturnal futile attempt to grow vegetables clearly demonstrates his failure in achieving the American Dream.