Life drawing creative process

Ancient views[ edit ] Most ancient cultures, including thinkers of Ancient Greece[10] Ancient Chinaand Ancient India[11] lacked the concept of creativity, seeing art as a form of discovery and not creation. The ancient Greeks had no terms corresponding to "to create" or "creator" except for the expression "poiein" "to make"which only applied to poiesis poetry and to the poietes poet, or "maker" who made it.

Life drawing creative process

Antoine Watteautrois crayons technique Almost all draftsmen use their hands and fingers to apply the media, with the exception of some handicapped individuals who draw with their mouth or feet.

They may try different drawing implements on practice sheets to determine value and texture, and how to apply the implement to produce various effects. The artist's choice of drawing strokes affects the appearance of the image.

Pen and ink drawings often use hatching — groups of parallel lines. Broken hatching, or lines with intermittent breaks, form lighter tones — and controlling the density of the breaks achieves a gradation of tone.

Stippling uses dots to produce tone, texture and shade. Different textures can be achieved depending on the method used to build tone. Typically a drawing is filled in based on which hand the artist favors. A right-handed artist draws from left to right to avoid smearing the image.

Erasers can remove unwanted lines, lighten tones, and clean up stray marks. In a sketch or outline drawing, lines drawn often follow the contour of the subject, creating depth by looking like shadows cast from a light in the artist's position.

Sometimes the artist leaves a section of the image untouched while filling in the remainder. The shape of the area to preserve can be painted with masking fluid or cut out of a frisket and applied to the drawing surface, protecting the surface from stray marks until the mask is removed.

Another method to preserve a section of the image is to apply a spray-on fixative to the surface. This holds loose material more firmly to the sheet and prevents it from smearing.

However the fixative spray typically uses chemicals that can harm the respiratory system, so it should be employed in a well-ventilated area such as outdoors. Another technique is subtractive drawing in which the drawing surface is covered with graphite or charcoal and then erased to make the image.

Careful attention to reflected light, shadows and highlights can result in a very realistic rendition of the image. Blending uses an implement to soften or spread the original drawing strokes.

Blending is most easily done with a medium that does not immediately fix itself, such as graphite, chalk, or charcoal, although freshly applied ink can be smudged, wet or dry, for some effects. For shading and blending, the artist can use a blending stumptissuea kneaded erasera fingertip, or any combination of them.

A piece of chamois is useful for creating smooth textures, and for removing material to lighten the tone. Continuous tone can be achieved with graphite on a smooth surface without blending, but the technique is laborious, involving small circular or oval strokes with a somewhat blunt point.

Shading techniques that also introduce texture to the drawing include hatching and stippling. A number of other methods produce texture.

In addition to the choice of paper, drawing material and technique affect texture. Texture can be made to appear more realistic when it is drawn next to a contrasting texture; a coarse texture is more obvious when placed next to a smoothly blended area.

A similar effect can be achieved by drawing different tones close together. A light edge next to a dark background stands out to the eye, and almost appears to float above the surface. Form and proportion[ edit ] Proportions of the human body Measuring the dimensions of a subject while blocking in the drawing is an important step in producing a realistic rendition of the subject.

Tools such as a compass can be used to measure the angles of different sides. These angles can be reproduced on the drawing surface and then rechecked to make sure they are accurate. Another form of measurement is to compare the relative sizes of different parts of the subject with each other.

A finger placed at a point along the drawing implement can be used to compare that dimension with other parts of the image.

A ruler can be used both as a straightedge and a device to compute proportions. Variation of proportion with age When attempting to draw a complicated shape such as a human figure, it is helpful at first to represent the form with a set of primitive volumes.

Almost any form can be represented by some combination of the cube, sphere, cylinder, and cone. Once these basic volumes have been assembled into a likeness, then the drawing can be refined into a more accurate and polished form.

The lines of the primitive volumes are removed and replaced by the final likeness. Drawing the underlying construction is a fundamental skill for representational art, and is taught in many books and schools.

Its correct application resolves most uncertainties about smaller details, and makes the final image look consistent. A trained artist is familiar with the skeleton structure, joint location, muscle placement, tendon movement, and how the different parts work together during movement.

This allows the artist to render more natural poses that do not appear artificially stiff. The artist is also familiar with how the proportions vary depending on the age of the subject, particularly when drawing a portrait. Perspective[ edit ] Linear perspective is a method of portraying objects on a flat surface so that the dimensions shrink with distance.Drawing: The Creative process [Seymour Simmons, Marc S.A.

Winer] on pfmlures.com *FREE* shipping on qualifying offers. With 'Drawing: The Creative Process, ' by Seymour Simmons III and Marc S.A. Winer, you learn both the mechanics of good drawing and the many ways of creative 'seeing' that give form to your creative 5/5(1).

Creative Process — 1 Comment Chris Taylor on October 5, Digital Art Drawing Dream Chasing Exhibitions Flowers Gallery Shows Garden Artist Garden Design Gardening Illustration Influences Life Drawing Musings My Garden Oil Painting Pen & Ink Pencil Photoshop Poetry Press Public Speaking Selling Art Time management .

Jun 11,  · 6-It is more fun of the model is part of the creative process. In our life drawing class, we now ask the models to bring a few props of their choice for the last long poses.

It adds an element of surprise and makes the class more fun. It kinds of wake everyone up at 5/5(2).

Life drawing creative process

Adults. Be bold - try something new! The Art Center is the place to embrace curiosity and explore your creativity.

Life drawing creative process

We offer experiential learning opportunities for students at all levels of artistic development and encourage new and experienced artists to investigate, take risks, build skills and .

Modern life, with its many beeps, buzzes, and distractions, has the strong tendency to grab the attention of both our subconscious and our unconscious mind, and as result, the creative process stops and is instead replaced by more immediate concerns. "Drawing relies on a clear vision.

It also requires thought which, in, turn, builds understanding. Drawing cannot be detached from seeing and thinking about the fundamental nature of the subject matter being represented.

The knowledge and understanding gained through drawing from life directly /5.

7 lessons learned in life drawing class