Get Full Essay Get access to this section to get all help you need with your essay and educational issues. It was not until she was enrolled in the Iowa Writers Workshop that she finally discovered that her experience as a woman and a Chicana in a male dominated world was the voice that was uniquely hers.
Plots[ edit ] The story begins with Esperanza, the protagonist, describing how her family arrived at the house on Mango Street. Before the family settled in their new house, they moved around frequently. The reader develops a sense of Esperanza's observant and descriptive nature as she begins the novel with descriptions of minute behaviors and observations about her family members.
Though Esperanza's age is never revealed to the reader, it is implied that she is about thirteen. She begins to write as a way of expressing herself and as a way to escape the suffocating effect of the neighborhood.
The novel also includes the stories of many of Esperanza's neighbors, providing a picture of the neighborhood and offering examples of the many influences surrounding her.
Esperanza quickly befriends Lucy and Rachel Guerrero, two Texan girls who live across the street. Lucy, Rachel, Esperanza, and Esperanza's little sister, Nenny, have many adventures in the small space of their neighborhood. As the vignettes progress, the novel depicts Esperanza's budding personal maturity and developing world outlook.
Esperanza later slips into puberty and likes it when a boy watches her dance at a baptism party.
Esperanza's newfound views lead her to become friends with Sally, a girl her age who wears black nylon stockings, makeup, high heels, and short skirts, and uses boys as an escape from her abusive father. Sally, a beautiful girl according to her father, can get into trouble with being as beautiful as she is.
Esperanza is not completely comfortable with Sally's sexuality. Their friendship is compromised when Sally ditches Esperanza for a boy at a carnival. As a result, Esperanza is sexually assaulted by a man at the carnival. Earlier at her first job, an elderly man tricked her into kissing him on the lips.
Esperanza's traumatic experiences and observations of the women in her neighborhood cement her desire to escape Mango Street.
She later realizes that she will never fully be able to leave Mango Street behind. She vows that after she leaves she will return to help the people she has left behind. Esperanza exclaims that Mango Street does not hold her in both arms; instead, which sets her free.
Genre[ edit ] The House on Mango Street is made up of vignettes that are not quite poems and not quite full stories. Not wanting to write directly about herself, Cisneros constructs the book in a combination of genres pulling mantles of poetry, autobiography, and fiction.
Esperanza narrates these vignettes in first-person present tensefocusing on her day-to-day activities but sometimes narrating sections that are a series of observations.
The vignettes can be as short as two or three paragraphs long and sometimes contain internal rhymes. These vignettes follow a complete or chronological narrative, although they often mention characters introduced in earlier sections.
The conflicts and problems in these short stories are always fully resolved, just as the futures of people in the neighborhood are often uncertain. The overall tone of the novel is earnest and isn't very intimate, with very little distance between the reader and the narrator.
The tone varies from pessimistic to hopeful, as Esperanza herself sometimes expresses her jaded views on life: One I could point to.The House on Mango Street is a coming-of-age novel by Mexican-American writer Sandra Cisneros. It deals with Esperanza Cordero, a young Latina girl, and her life growing up in Chicago with Chicanos and Puerto Ricans.
The House on Mango Street is the remarkable story of Esperanza Cordero, a young Latina girl growing up in Chicago, inventing for herself who and what she will become.
Told in a series of vignettes—sometimes heartbreaking, sometimes deeply joyous—Sandra Cisneros’ masterpiece is a classic story of childhood and self-discovery. On a series of vignettes, The House on Mango Street covers a year in the life of Esperanza, a Chicana (Mexican-American girl), who is about twelve years old when the novel begins.
During the year, she moves with her family into a house on Mango Street. Through eloquence and observation, the story of Esperanza depicts a young girl’s maturity in regards to community, culture, identity, and feminism.
She is instantly unique from other children, as her journal like diction creates a vivid picture of the community on Mango Street. “My Name” by Sandra Cisneros from The House on Mango Street In English my name means hope. In Spanish it means too many letters.
It means sadness, it means waiting. It is like the number nine. Sandra Cisneros' early life was a subject she would later draw on as a writer in books like The House on Mango Street. She was the only daughter among seven children in her family.
She was the only daughter among seven children in her family.